Trailers

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Time to get back to the blogging business, I think. And here’s some trailers to grease the rusty wheels.

Hellblazer was one of the more important comics of the 1980s, for my money. It was one of the key foundation stones of DC’s Vertigo imprint, which punched way above its weight in terms of profile and significance in the industry as a whole. And it was a bit of a flagship for the transformative ‘British invasion’ of the US comics scene.

It had a damp squib of a Keanu Reeves film adaptation, under the title of its lead character Constantine, a while back (which I confess I always thought was sort of not totally terrible as a movie, just not very good as a Hellblazer movie). Now it’s coming to TV – again as Constantine. The first trailer, a few weeks back, didn’t really do much for me but now there’s trailer v2.0 and it’s looking better, if you ask me. I might actually be able to get on board with this …

And talking about things that were important in their time, they don’t come much more important for me personally than Mad Max. The first two films – let us not speak of the third, which was a sad misfire if you ask me – made a big impression on young me when I saw them, videotaped of course. A new outing for the franchise has been floating on the horizon for years, tantalisingly never quite coming to fruition. Well, now it’s actually going to happen, in the shape of Mad Max: Fury Road and here’s what it’s going to look like:

More promising than I feared, even if not quite everything I would have hoped. Looks to be plugging right into the vibe of Mad Max 2, and doing it with a certain style – the visuals and the music are on the moody money, I’d say. Plenty of tone and ‘voice’ in there. The actual action that dominates the trailer looks a bit less moody and a bit more in-your-face, though – I kind of hope the final movie isn’t just wall to wall chasing and driving and mayhem (fun, and indeed essential, as all that is), and retains something of the bleak tone hinted at in the trailer. But hey: it’s Mad Max, it’s Tom Hardy and it looks interesting. That’s enough to put a smile on my face.

Truly, and I mean this without a trace of irony or sarcasm or exaggeration, we live in an age of total, unremitting sf, fantasy and horror saturation. We – those of us who always liked this stuff – are not so much inheriting the media world as consuming it, monopolising it.

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Couple of movies I’ve Netflixed recently:

Grabbers is an Irish horror-comedy from a couple of years back. A remote island – so remote it’s only got one pub – is under attack by tentacled alien monsters, and the only hope the motley and rather dishevelled locals have of surviving the stormy night is getting drunk and staying that way. Sounds ridiculous, and it is, but I thought the movie did a remarkably good job of selling the bonkers premise, thanks to a decent script that doesn’t try to get too clever, some good actors and special effects (i.e. monsters) that are jolly respectable given the miserly budget I assume everyone was working with.

For the first half of the movie the humour’s fairly gentle, the pace quite measured and the atmosphere one of understated disquiet. Not entirely surprising that things get a bit broader and louder in the second half, as the monsters start hamming it up and the alcohol starts flowing in profuse quantities. It’s fun, though. If you fancy something a bit different, a pleasant way of passing a little time, you could do a lot worse than give Grabbers a try.

It’s better than the following trailer makes it look, if you ask me.

The Hunter is based on one of my favourite books. Always a bit of a lottery, that kind of situation. The novel, by Julia Leigh, is a strange, sparse, haunting story about a man hunting the last Tasmanian Tiger in the world. It’s a powerful evocation of not only natural but also spiritual, psychological wildernesses, all the more impressive for being a very short book, written in very simple, stripped down prose.

So did this story I so like survive translation to the screen? Kind of. Bits of it did. Tasmania is beautiful and wild. Willem Dafoe’s watchable as ever in the title role. The mood is – for most of the film – a very effective replication of the book: quiet, sometimes tense, with a steady undercurrent of otherness and wrongness. It never feels as though anything good can come of what’s going on, and sure enough it doesn’t.

They changed the climax. I knew they would. The book has an uncompromising, challenging last quarter that makes irrefutable sense in terms of what has gone before. The movie keeps bits of it, and bits of its bleak inevitability, but tweaks them and re-interprets them and changes some other bits radically. I didn’t find the end result as satisfying as the book’s ending – it feels as though the film-makers found a way to compromise and complicate what was previously uncompromised and uncomplicated in its hard-edged simplicity – but for all I know it might work perfectly well if you haven’t read the original novel.

Anyway, on the whole The Hunter is a good and effective adaptation of a terrific, and very unusual, book. Worth a try if you’re in the mood for something bleak and thoughtful with a powerful dose of spectacular scenery and trackless wilderness. Maybe read the book afterwards, though. That’s the real deal.

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Of all the imminently upcoming superhero movies, the one that’s putting the biggest anticipatory tingle into me? This one:

Very good trailer, but more importantly based on one of the very best Captain America stories ever produced in comics: Ed Brubaker and Steve Epting’s Winter Soldier. Problem is, if you haven’t read the original comics, it’s kind of hard to recommend doing so before seeing the movie since it’d torpedo the plot twists. Nevertheless, they’re 100% great superhero comics and this just might be a spectacularly fun movie.

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What a cool trailer.  Absolutely imperative – imperative, I say – that you watch it fullscreen.  If this doesn’t make you at least tempted to go see the film on a big screen, I think you should maybe do a quick check of your pulse.  It’s possible you’re dead. Just saying.

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Number 13

After doing a little digging on the web, although I’m still not clear about what exactly this is – trailer for a proposed film, animated pitch document, I think it’s the latter, really, but I’m not 100% sure  – I am at least clear that I think it’s kind of fun.  Part live action, part comics-influenced animation, part 300-ish CGI fest it works quite nicely as a self-contained glimpse into a world that looks interesting.  It’s based on a comic of the same name, which I’ve never read.

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