The Free

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As 2016 slinks slightly shame-facedly away towards the box called ‘The Past’, I now have three – yes, three! Count them! – novellas out in in the wild and available on your e-reading device of choice.

All three of them are stand-alone stories set in the world of The Free. In fact they’re prequels to the novel, explaining how some of that world’s most famous warriors and magic-wielders wound up as comardes in the ranks of the greatest mercenary company there ever was: the Free. The explaining is dressed up in some fairly full on action and adventure, of course.

Long enough to satisfy, short enough to be easily digestible. Novellas have always been one of my favourite fiction formats, so I’m delighted to have got some under my writerly belt.

And, I can’t help but observe they’re staggeringly good value: currently $1.25 in the US, a mere 99p in the UK. Bargain. Treat yourself for the holidays, that’s what I say …

You can read them in any order, but here they are in what you might call in-world chronological order:

CORSAIR

For years the Free have sold their martial and magical skills to the highest bidder, winning countless victories that have overthrown kings and shaken empires.

Yulan is a newcomer to their ranks, keen to prove himself worthy of the Free’s name. When corsair marauders ravage the Hommetic Kingdom’s coastline, Yulan gets his chance.

His mission is simple: travel to the corsairs’ island fortress, persuade their self-proclaimed king to sign a peace treaty, then head home with sword unbloodied.

Yet the crumbling fortress holds many secrets, and blades speak louder than words. Soon Yulan must fight not just for the glory of the Free, but for his very survival.

Amazon UK, Amazon US, Google Play, and also available everywhere else you get e-books from …

EXILE

Wren is a Clever, someone who can shape the unseen forces of the world. Such powers are more a curse than a blessing, and Wren has been running all of her life – from the consequences of her actions, and from those who would use her abilities for their own ends.

Now she finally has a direction. Rumours talk of a legendary Clever living in the Hommetic Kingdom’s borderlands, a man who can teach her how to control the forces that rage inside her – if she can find him.

Yet enemies from Wren’s past hound her every step, and a horde of ferocious barbarians ravages the very lands that she must travel. Somewhere in this chaos, the Free – the most feared mercenary company in the world – are fighting against the invaders. Surely they would help her in her quest . . .

Or perhaps the Free will need her help even more.

Amazon UK, Amazon US, Google Play, and also available everywhere else you get e-books from …

TYRANT

For years the Free have sold their martial and magical skills to the highest bidder, winning countless victories that have overthrown kings and shaken empires.

Brennan is proud to serve in the Free’s ranks. He has blooded his sword to defend the company’s ideals of honour, freedom and justice, and he will gladly do so again. It is this devotion that now sees him riding hard on the heels of a band of slavers, who have burned two villages to the ground and escaped with sixty prisoners.

It has fallen to the Free to hunt the slavers down and rescue their captives – a simple task for soldiers of their skill.

Yet the Slavers have fled into the Empire of Orphans, a dangerous land of rumour and intrigue, where every step the Free take will bring them closer to the deadliest enemy they could ever face: the Orphanidons of the mad emperor.

But the Free have never backed down from a challenge.

Amazon UK, Amazon US, Google Play, and also available everywhere else you get e-books from …

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The second of three stand-alone novellas set in the world of The Free is out now, everywhere e-books are sold: EXILE.

EXILE coverAs with all these novellas I’m doing, it’s a stand-alone prequel to my novel The Free.

In this particular case, it’s about certain of the main characters from that book, and how one of them in particular wound up joining the world’s most fearsome mercenary company.

It features, amongst other things, barbarian hordes, magic on the brink of running out of control, and what happens when you jump overboard to escape your pursuers …

Here’s the publisher’s really quite accurate blurb (taken from here):

Wren is a Clever, someone who can shape the unseen forces of the world. Such powers are more a curse than a blessing, and Wren has been running all of her life — from the consequences of her actions, and from those who would use her abilities for their own ends.

Now she finally has a direction. Rumours talk of a legendary Clever living in the Hommetic Kingdom’s borderlands, a man who can teach her how to control the forces that rage inside her — if she can find him.

Yet enemies from Wren’s past hound her every step, and a horde of ferocious barbarians ravages the very lands that she must travel. Somewhere in this chaos, the Free — the most feared mercenary company in the world — are fighting against the invaders. Surely they would help her in her quest . . .

Or perhaps the Free will need her help even more.

You can pick up Exile (and, naturally, the other two novellas in the series – Corsair and Tyrant) for what I think it’s fair to call a jolly fair price from Amazon US, Amazon UK, Nook, Google Play, iTunes, and anywhere else you buy your e-books from…

I wrote this mini-essay ages ago – it was intended for publication elsewhere, but that never happened. To be honest, I’d forgotten about it but then the trailer for the re-make of The Magnificent Seven came out and … well, why it reminded me of this will be obvious once you read on!

It’s timely for another reason, mind you. It’s mostly about The Free, my most recently published novel, and some of the specific influences on that book. As I might have mentioned here, The Free is getting some companion e-novellas now. The first, Corsair, is out now everywhere e-books are sold, ready for your downloading and reading pleasure. So seems like a sensible time to revisit this discussion about what was going on in my head when I wrote The Free in the first place …

I’ve always got little movies playing in my head when I’m writing, especially action scenes. Not the details, but things like movement, its pattern and rhythm, and – bizarrely – lighting. So basically, my little mental movies are kind of blurry but full of movement and very well-lit.

When it came to writing The Free, though, things got a whole lot more specific. Once I had the basic story in my head I realised it had a lot on common with particular movies that I really like, and I decided to dig around in those commonalities and see what popped up. It was a first for me; usually (I think) my influences are a bit more subterranean and a good deal less conscious. This time, for better or worse, I was paying close attention.

The movies in question are Seven Samurai, The Magnificent Seven, The Wild Bunch and to an extent 13 Assassins. Not enough people have seen the last of those: it’s kind of a modern, streamlined version of Seven Samurai, turned up to a violent eleven. It’s beautiful, brutal and clever stuff.

So, I thought, what do I like about these movies, and what would a novel that tried to achieve a similar effect look like? Not all of the answers I came up with actually made it into The Free, but some did. It wound up being a book that’s deliberately reminiscent of those movies, but not a slavish retread – it has its own story to tell. Some of the similarities are pretty obvious (if you’ve read the book, you’ll know what I mean), others maybe not so much, and it’s a couple of the latter I wanted to discuss here.

Exhibit One: Endings. All four of the films I’ve name-dropped are to a greater or lesser extent about endings in particular ways and combinations that I reckon are interesting. They share an elegiac tone, and underneath their narrative skin are positively thick with the notion of ending, or passing. The end of the age of gunslingers or samurai, the age of the individual man of violence (women of violence too, in The Free). The ending of specific lives; lives of which we see only the final few days, but they’re days that seem to sum up the years that have preceded them. I like that model. Beginning a story right near its end appeals to me.

The other thing about these movies and endings is that in all of them, from early on, the plot’s end-point is made very, very clear. In three of the four movies, you even know where the climax is going to take place, who the antagonists will be, what the specific numerical odds against the protagonists will be, within the first … I don’t know, twenty minutes maybe?

On some level, all of this is back to front. You might even call it spoilerific. I don’t go quite that far in The Free, because I couldn’t resist putting in one or two twists, but the sustained action of the last 80+ pages of the book is in a sense the obviously intended destination, and I assume – want, even – the reader to recognise that from pretty early on.

The thing about having what you might call a ‘flagged climax’ like this is that it pulls the plot and narrative towards it. It exerts a sort of gravitational tug that by its nature puts a bit of momentum and energy and tension into the tale. The fact that you know the shape, if not the detail, of Seven Samurai’s ending from very near the start imbues the whole movie with a rich cocktail of meaning and foreboding and questioning.

Exhibit Two: Otherness and violence. Much of the distinctive magic and tone of all these movies resides in the otherness of their central characters. They exist in tightly defined ‘bands of brothers’ socially and psychologically isolated from everyone else – but I reckon their otherness is also fundamentally about their relationship to violence. How they in particular use violence, how they view its purpose, and how its application has shaped, bonded and isolated them.

The thing that struck me, though, was that in the case of the movies with seven in the title, many different views (and consequences) of violence are represented both within and without the central band of brothers. Violence is what defines many of these characters, but it does it in radically different ways. I don’t make a big thing of it in The Free – it’s supposed to be entertainment, not meditation – but nevertheless it’s there; everyone in the book, consciously or unconsciously, has their own particular reason for enacting violence, and feels its effects and consequences in different ways. The central characters are mercenaries, but simple greed is not one of the reasons. Because that would be kind of dull, right?

And the other thing about violence, of course, is that it’s exciting. The movies I’m talking about are all, in their different ways, steeped in the horrible beauty of violence on the screen. They’re not celebrating it exactly, but they undeniably embrace its visceral, choreographed appeal when presented as spectacle. It’s an abiding puzzle to me why something that most of us, if confronted with it in real life, would find horrible and traumatizing is so exciting and engaging to watch in a cinema.

To make violence both cruel and exciting, horrible and fascinating, folly and triumph, that’s clever. Embodying mutual contradictions without breaking the narrative vessel they’re contained within can be a challenge, but I think it’s worth trying, particularly in the case of violence. And in that I’ve always thought Seven Samurai is the champion. Its final battle scenes, amidst mud and teeming rain, are so loaded with contradictory beauty and horror, tragedy and triumph, it’s a wonder the thing doesn’t fall apart. But it doesn’t, because it’s a masterpiece.

The Free gave me an excuse to think about it and those other films – not masterpieces perhaps, the other three, but well worth a wee think – and that if nothing else made the writing process fun.

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Here we are, back with Moving Pictures on a Friday, because this caught my eye:

Not even sure I knew it was coming, to be honest. Maybe I did and then forgot. Either way … five things about it:

1) That’s one film that really didn’t need remaking, don’t you think? Not that that ever stops a remake nowadays, I guess. So fair enough. Have at it, Hollywood!

2) Denzel’s sporting some fine facial hair. Not as good as Yul’s bald pate, but at least a little bit eye-catching.

3) Chris Pratt is going to be in every big film from now on. Is that the plan? Because I like him a lot, but it’s starting to get hard to see him as anything other than CHRIS PRATT. Whatever character he’s playing is disappearing behind the fame that is CHRIS PRATT.

4) Looks rather like they might have one token good Native American and one token bad Native American.  I really, really hope they don’t play those tokens and then have them fight each other to the death, because if the good Native American’s purpose in the plot is to kill the bad Native American that’s just … well, it seems like a lousy idea, that’s all. Deeply last century.

5)  Have I mentioned that I wrote a book – The Free – partially inspired by The Magnificent Seven? Or, more accurately, inspired by the film M7 itself is a remake of: Seven Samurai.

Have I further mentioned that there are three e-novella prequels to The Free coming out this year? Oh, I have: all the details are here. Anyway, the first of those prequels is available right now, everywhere e-books are sold. It’s called Corsair, and it’s over 20,000 words of mayhem and formative character moments in a world where magic is dangerous, unpredictable and at best a double-edged sword. A little taste of my version of The Magnificent Seven!

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I’ve got a new novella out today! The first of three, in fact, that’ll be showing up over the course of the next few months.

A-TALE-OF-THE-FREE-CORSAIR-250x375

Here’s what it says on the Orbit website about what’s happening:

“Drawing comparisons to films like Seven Samurai and The Magnificent Seven, THE FREE received widespread critical acclaim upon publication, and received starred reviews from both Publisher’s Weekly and Library Journal.

The good news is that the adventures of The Free don’t end with this novel – far from it! The world that Brian has created is too large, and the history of the Free too bloody and tumultuous, to be explored in just a single novel. So we’re very pleased to announce three new novellas that will explore the eventful past of this famous mercenary company, all of which will be published this year.”

So, yes. These novellas are set in the world of my novel The Free, and they’re all stand-alone prequels to that book.

You don’t need to have read The Free to make sense of them – nor, come to that, do you have to read them to make sense of The Free – but they do fill in a little bit of the backstory for some of the main characters in that book, explain how some of them wind up where they do, that kind of thing.

So if you’ve read The Free and would like to know little things like … oh, I don’t know … what was young Yulan’s first big mission, or how did Wren and Kerig meet, or what actually happened when the Free chased slavers into the Empire of Orphans … well, these novellas might be what you’re looking for.

And if you haven’t read The Free, these novellas are for you too. Perfect way to sample the world and the characters without straining your wallet!

The first of them – Corsair – is available now in any and, as far as I know, all places where e-books are sold. Exile, the second, will show up in June; Tyrant, the third, will poke its head up above the battlements in September.

The e-book  of Corsair is awaiting you on Amazon UK, Amazon US, B&N/Nook, Google Books … all the usual places.

Well, The Free was a Kindle Daily Deal in the US last month, which meant folks could get the e-book version at a bargain price for one day only. That was nice, and might mean a few new visitiors wandering around these pages.The Free Cover gif

Just in case, a couple of quick pointers for any new browsers. You can see info about my other books, unsurprisingly, on the Books page here. I’ve written some short stories too and you can read one of them online for free over at Lightspeed Magazine: Beyond the Reach of his Gods.

And if you liked The Free, want to stay in touch with what I’m up to, get an occasional shot at winning a signed copy of one of my books, all that kind of thing, the perfect place for you is over at the Facebook page where people who like my stuff hang out: Winterbirth on Facebook. You can also follow me on Twitter, if you’re so inclined.

You can also, of course, subscribe to the feed for this blog, so you don’t miss future content. Been on a bit of an extended blog holiday these last few months, but posting’s going to be picking up again now.

And finally a last little bit of news – more like a hint of news, really: the world and the characters of The Free have more story left in them, and it’s on its way. More details on that in due course …

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Well, the title says it all really.

More info to come, though. Stay tuned.

Or if you don’t need more info, you could pre-order it of course. That would be nice. Maybe at wordery.com? (free world-wide shipping, you know!)

As some folks may have heard, I wrote another book. And the good folk at Orbit are going to publish it this year!

That pile of paper there is the proofs for The Free – a stand-alone fantasy novel coming out in a bookshop or digital venue near you this October. The proofs are the last stage before the whole thing is kind of locked down, so I spent a fair few hours not long ago reading every single word of the thing all over again. Line by line, sentence by sentence, hunting for mistakes, typos, embarrassments, all that sort of thing.

It’s a strange experience for me, this bit of the writing/publishing process. Once a book (or story, or comic) of mine is published, I’m profoundly disinclined to ever read it, not even a little bit of it, again. It’s finished and I can’t change it and all I’m likely to see if I read it again is stuff I wish I could change. Reading and correcting proofs is kind of half-way into that territory – it’s too late to make big changes – but still embedded in the revising process to some extent, because little tweaks are possible. So I’m at ease with it, in a way I’m not at ease with re-reading the finished, published novel. Kind of like it, in fact, because once you get to this point you know you’re pretty much done. This thing’s happening. This book’s going to be for real soon.

In fact, The Free is going to be for real on or about October 14th. Not all that soon, I know, but it’s avilable for pre-order on all the usual online sites. If you’re at all inclined to do such a thing, pre-ordering is helpful and encouraging so you get my (impersonal, anonymous) gratitude if you take the plunge. I don’t think you’ll regret it – I’ve read The Free quite recently, after all, and I didn’t think it was bad. All nearly 450 pages of it.

The book’s right there waiting for your anticipatory support on Amazon UK, Amazon US, Amazon CA, Barnes & Noble etc. (But sadly not yet my personal preference these days – now that Amazon has bought up virtually every other independent online vendor – Wordery, which is a newish UK-based site that does free worldwide shipping. So you can’t pre-order The Free there yet, as far as I can see, but why not bookmark or sign up with Wordery.com and try it out sometime? Competition is a good thing, and boy does Amazon need some competition).

More to come about The Free in coming weeks and months, of course. For now, though, here’s the start of the contents because … well, why not?

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A good while back, I did a post here pontificating about how the question ‘Where do you get your ideas from?’ was not a particularly good query to fire at a writer.

This is the sequel to that post, in which I answer the question in question. Just thought it’d be fun. Might also help to illustrate my case that ideas are the easy bit, coming as they do from everywhere, all the time, unpredictably.

So, here’s where the idea for every piece of fiction I’ve sold came from, in chronological order of publication.

Farm Animal, my first published story, appeared in the UK’s venerable sf magazine Interzone a long, long time ago. It has a unique, and unusually simple, origin in the context of my fiction output: it’s loosely based on a dream I had. It was a kind of creepy, not very nice, dream so we won’t go into any more details except to say it involved a human-pig hybrid. The hard bit, as ever, was turning that seed into a narrative of some sort, and in the process the story became about the transformation of a human into a pig. (Sidenote: I remember being quite pleased with myself, at that presumptuous age, for coming up with a title that reverses Animal Farm, in which pigs transform into humans, just as my story reverses that transformation. Doesn’t seem quite so clever now.)

Gibbons, my second published story, appeared in another UK magazine: The Third Alternative – still going, under the new title Black Static. Its origin is also unique in this list, in that it comes from my own direct, personal experience. In my early twenties I spent three months in Borneo, finding, following and sound-recording gibbons in a remote part of the rainforest. In hindsight, as you might expect, it was a powerful, rather formative experience in various ways (including career-wise, since it would later result in me getting a job that sent me to many other unusual, out of the way bits of the world), though at the time – as with many such experiences – I didn’t fully appreciate its significance. What did imprint itself on my mind even then, though, was the potent atmosphere and character of the place. It took years for the story that gave voice to my impressions of the Bornean rainforest to take shape, but Gibbons was the eventual result.

Winterbirth, and the Godless World trilogy of which it is the first part, has a messy kind of idea-origin. I knew I wanted to try writing novels, and I was instinctively interested in the possibility of a fantasy trilogy. I needed an imaginative nudge of some sort to get the process of world, character and story development going, and it came from the TV, in a way. This was way back when the Balkans, and the former Yugoslavia in particular, were in post-Communist meltdown and filling our TV screens and newspapers with stories and images of horrendous and cruel violence. Because I was even then a history nerd, I knew a lot of what was happening was the indirect fruit of bitter rivalries, enmities and events that went back many, many hundreds of years, and I was struck by the thought that it might be interesting to write about a fantasy world similarly torn apart by long-suppressed, half-hidden enmities that were somehow allowed to re-emerge.

Now, that initial idea got considerably complicated and diluted by the aforementioned process of world, character and story development. It provided the impetus for the process, but was itself changed and elaborated by it. Such things happen, once you get into the flow of turning a small spark into a fully fledged fire. But that’s what ideas are for really: they start the process, but unlike a chemical catalyst, they don’t have to survive that process unchanged.

Beyond the Reach of His Gods is a short story that appeared in the anthology Rage of the Behemoth, from Rogue Blades Entertainment. Much to my delight, it’s since been reprinted in the excellent online magazine Lightspeed, so you can read the whole thing for free over there if you like. This was the first time I’d been invited/commissioned to write a story for an anthology, and the brief was highly specific: heroic fantasy involving a giant monster set in one of several specific environments. I had no pre-existing ideas that fitted the bill (hardly surprising!), so the idea for this story had to be kind of ‘forced’. Except it came to me very easily, very quickly and very completely. I’ve no idea how that happens, but now and again it does: I just looked at the brief, thought about it for a bit, and the setting, characters, monster and the basic skeleton of the plot just turned up in my head. Very nice, and forunate really, since I would probably have turned down the invitation had things not bubbled up so easily, and had the story they suggested not struck me as being fun to write.

Flint was another short story for an anthology – Speculative Horizons, from Subterranean Press, edited by Patrick St-Denis. Again, I was asked if I would contribute, but this time there were no prescriptions regarding subject matter or even specific genre. So I pulled out a partially developed idea I’d been keeping on a mental shelf for ages, and used this as the opportunity to turn it into an actual story. That idea had its roots in my non-fiction reading: books like The Golden Bough, After The Ice and Shamanism. In learning and thinking about early magical beliefs, hunter-gatherer societies and the deep, deep past of human society and imagination, it struck me that a Stone-Age shaman would make an interesting central character for some kind of story. I knew very early on that his name would be Flint, but much of the detail of his adventures only got filled in when Patrick asked me if I fancied writing a story for his anthology …

The Edinburgh Dead has a very clear and fairly simple idea-origin. Having grown up in Edinburgh, and living there again now after a good few years away, I know a lot about its history and geography. Mind you, even people who’ve never been here have heard of Burke & Hare, the infamous baddies who murdered a lot of people so that they could sell their corpses to lecturers for dissection in anatomy classes in the early 19th century. For whatever reason, one day while musing on Edinburgh’s rich and complicated history, I just asked myself: ‘What if there were other people around back then, who wanted corpses for a different kind of experiment?’. From that question, after a good deal of research and the addition of a good many other influences, the whole novel emerged. And, inevitably, Burke and Hare stayed in the mix as characters in the story.

Rogue Trooper, the comic I’m writing for IDW (first issue in comic shops and on Comixology on Feb 26th!), is a different kettle of fish, idea-wise. This is a pre-existing character and milieu that I was asked to re-imagine. So the ideas required are of a different kind: what games can I play, what details can I add or subtract, what themes can I develop, with this already-established character? Those kind of ideas just come from looking at what’s there already, thinking back or re-visiting all the previous Rogue Trooper stories I read as a youth, applying my personal instincts as a writer to the property. To be honest, lots and lots of possibilities presented themselves to me as soon as I became aware of the opportunity, so it wasn’t too difficult. When someone else has done the hard work of creating a strong character, setting and framework, riffing on it is pretty straightforward (at least in terms of ideas, if not execution; believe me, I can now say from personal experience that writing comics is not straightforward or effortless!).

The Free will be published this October by Orbit, and it’s kind of fitting that it comes last on this list because in one sense it’s an extreme example on the original idea front. This book, alone of all the fictions on this list, has shed its originating idea like a snake shedding a skin. Literally no trace of the idea to which it can trace its roots remains in the novel that will be published. Weird, huh? Anyway, one day – or night, I think perhaps I was trying to go to sleep – a scene just popped into my head. In an underground cavern, someone discovers a prisoner, trapped in a huge cage. That was it. This was way back when I was still writing the Godless World trilogy. I had half a notion I might try writing another trilogy after I was finished with that one (a notion I soon thought better of!), and that single, unformed scene became the seed from which I gradually grew the outline of a whole plot, world, magic system, characters – I didn’t have a full trilogy worked out in detail, but I had a lot of stuff churning around in my head.

Except, I wrote The Edinburgh Dead instead. But the story-stuff that had sprung from that single imagined scene kept stewing in my thinking parts, and kept changing. In the plot I’d loosely imagined, there were a set of secondary characters – mercenaries – who struck me as interesting. To cut a long story short, I ended up pitching an idea focused upon them to the publisher as a stand-alone novel. The Free. The world in which they operate is not the one I dreamed up for that trilogy; the magic system is utterly different; there’s not a single character who has survived from my earlier musings into the text of the The Free; at no point does anyone even go underground, let alone discover a subterranean chamber with a caged prisoner in it. (But who’s to say what might happen, should I ever write any more stories about The Free?)

So there you are. I get my ideas from dreams, from personal experiences, from current affairs, from history, from commissions, from non-fiction books, from other people’s creations, from random scenes popping into my head. And I could add, in respect of fictions I’ve thought about or am currently pondering, which may or may not ever see the light of day: I also get them from idle reflections on the under-use of particular mythical creatures in fiction, consciously setting myself the challenge of coming up with an idea for a TV/radio series, writing tasks based on a single word set by tutors on a short course I did many years ago, looking at maps, etc. etc.

All seems clear enough. Question answered.

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This news is out there on the interwebs today, so I guess I can go public with it.

‘Tis true: I’m diversifying a bit, and writing a Rogue Trooper comic for the excellent folks over at IDW.

As visitors here may have noticed, I’m a fairly major comics fan. Unsurprisingly, I’m therefore pretty excited to be dipping my toes in those creative waters, especially since it’s on a character I knew well in my youth. As a British kid who liked comics and SF, it goes without saying that 2000 AD was a biiiig deal to me way back then, and Rogue Trooper was one of my favourite strips. It’s remained one of those I remember with the most affection, along with stuff like Dredd, Slaine and Nemesis. So all in all, fair to say I’m a happy chap with this turn of events.

Lovely cover art for #1, don’t you think?, by Glenn Fabry and Ryan Brown:

I’m lucky enough to be serving the interior art of Alberto Ponticelli with my scripts, so I think the whole package is going to look kind of nice, to put it mildly. More info to follow soon, of course. I believe the first issue will be in a comic shop near you in February 2014 or thereabouts.

And in case anyone’s wondering, none of this affects The Free. The hard work on that is largely done I think, the lovely powers-that-be at Orbit are making positive noises and as far as I know it remains on its intended publication course. So with any luck I’ll have both a novel and comics on shelves in 2014. Should be a fun year.

For those who wonder how these things come about … well, I expect the story’ll get told at some point (it’s not wildly exciting or surprising, before you get your expectations up too high), but for now let’s just say it convinced me even more that what I said in this post about luck was on the money. You can’t control exactly when or how you get lucky, but you can at the very least give it the chance to show up in your life. I did, and it did. Sweet.

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