Because you can never have too many links, right? And they don’t even all have to be about me … though some of them are, of course.
Let’s flag a couple of reviews of The Edinburgh Dead, first.
Neth Space likes it ( ‘a very good historical gothic mystery horror urban supernatural thriller’ !)
So does Civilian Reader ( ‘a superb, slow-burning horror suspense. Very highly recommended.’ !)
Come to that, so do the folks at RT Book reviews, who’ve got it listed as a nominee in the Fantasy category for their annual awards. That’s nice, don’t you think?
And here’s something that tickles me. As regular visitors here may have noticed, I’m a big, big podcast fan, so it’s particularly nice to be able to report my own podcast debut. It has to be said, life is full of small lessons in humility, and one of them for me is hearing my own voice as others do: never fails to chip away at my self-image. I did have a bit of a head cold at the time of recording (fully congealed sinuses, if you must know), but sadly I have a feeling I always sound much like this. Ho hum.
Anyway, of all the places I thought I might end up talking about one of my books, the venue for my first podcast appearance wasn’t one of them, but it was a jolly pleasant experience: the National Review’s Between the Covers podcast. You do, of course, come away from a quick, unedited interview like that with your brain buzzing with all the things you should have said and didn’t, but I don’t think I said anything that invites legal action or anything, so that counts as some sort of success in my book.
I’m also interviewed, in the more traditional text form, over at the aforementioned Civilian Reader.
Now, on to some less self-serving content netted out of the great ocean that is the internet.
First, two podcasts of possible interest to those, like me, with a near-limitless appetite for learning more about history:
The Seige of Tenochtitlan got talked about on BBC radio’s In Our Time programme recently – available on BBC iplayer here, or you can probably find a downloadable version in this list. Difficult to think of a more extreme example of clashing cultures in all of human history, really …
And Max Hastings talks at some length about the Second World War on the BBC History magazine podcast – direct link to audio here, or find it in the list here (it’s the 21st October edition). I found it interesting mostly because he concentrates on some of the details that often get overlooked or ignored in discussions about the war (like how many Chinese soldiers and civilians were killed … i.e. a very, very large number).
And now one of the most remarakble demonstrations of fan dedication and craftsmanship I’ve ever encountered. The ultimate Star Wars documentary, in that you get to watch the film while simultaneously getting deluged with background information, annotations, creator interviews etc. etc. Very, very clever and entertaining, and all the more remarkable because the same fan has done the same thing for Empire Strikes Back and Jedi. Here, for your viewing pleasure, then, is Star Wars – all of it! – as you’ve never seen or heard it before.
I mean, seriously: that almost justifies the entire existence of the internet by itself, doesn’t it?
But let’s end on a less cheery note and dip our toes into the muddy waters of the impending bookpocalypse. It’s mesmerizing, watching the turmoil into which the whole publishing industry is descending bit by bit. Here’s two markers along the way to wherever it is we’re heading that caught my notice recently:
Ewan Morrison asking Are books dead, and can authors survive? The answer to the first bit of that is clearly Not Yet. Print books are clearly going to fade into a niche, but e-books aren’t going to be dying any time soon. The answer to the second bit, I’m not so sure about. The folks who sell really, really big numbers of their books are going to be just fine, of course. The rest of us? Actually: maybe not.
The picture Morrison paints is the worst case scenario, and I can’t really buy into it unreservedly, but … but … there are more than enough folk out there around the internet hailing the digital revolution as the best thing since sliced bread, and I increasingly find myself inclining towards a much darker prognosis, not only for publishers (turmoil hardly covers what they’re looking at) and writers (I strongly suspect if – like me – you’re not a bestseller, things are about to get uncomfortable, to say the least) but also for readers (be careful what you wish for … low prices and an explosion in self-publishing don’t come without consequences).
And Amazon continues to hammer away at the chances of anyone but them making money out of the book business. Including authors, which is the bit that bugs me, obviously. A lending programme for e-books might sound like a nifty idea to owners of Kindles, but it sounds like the tolling of a funereal bell to me.
The weird thing is, there’s so much going on that looks at best inadvisable and at worst potentially disastrous if, like me, you value the work of writers and the survival of a diverse and high quality output of books, and yet … I can’t think of a single thing anyone involved could do, or is likely to, that would change the outcome. Pretty much everyone is coming at this from the point of view of their own individual best interest (personal or corporate), and that’s entirely reasonable and justifiable when looked at at the level of each specific decision, but the overall effect, seen in big picture terms, is … well, alarming just about covers it, I guess.