For those who have not seen it yet, here is the cover for Fall of Thanes, in all its beardy and mail-clad glory:
Nice, no? And to answer the single commonest question I get asked these days: the planned publication date for Fall of Thanes is May 2009. It may vary slightly depending on exactly which bit of the planet you call home, but as things currently stand we seem to be on schedule, so it should be in that ballpark for everyone.
And while we’re on the subject of books, the hardback of Bloodheir more or less sold out in the UK in a gratifyingly short period (for which many thanks to all those who bought a copy!). That’s good, obviously, but it has meant that for a while now the book’s not been universally available in these here parts, and those who didn’t snap up the hardback early on might have been feeling a bit left out. Change is afoot, however, as trade paperbacks have now been released in the UK, so Bloodheir is once more available from Amazon UK, and should filter into bookshops nicely in time for Chrsitmas. Should you happen to know anyone who’s been hankering after a copy, do let them know – the mass market paperback’s still 4 or 5 months away, after all.
There has been some minor tweaking and polishing of the website, these last few days – so minor, in the main, that no one but me and the webguy is ever likely to notice the differences. One thing I’d quite like people to notice, though, is the addition of a couple of new links on the relevant page. I’ve mentioned both the websites concerned in this blog before, but will take any opportunity to try and drive a few more eyes their way, so:
Strange Maps is a long-running demonstration of the wisdom of picking a single, original theme for a blog and sticking with it. You never know quite what’s going to show up, but it’ll often be surprising, interesting and/or pretty to look at it. Especially if you like maps, naturally.
The Abominable Charles Christopher is by some distance my favourite webcomic at the moment – has been for a long time, in fact. Not surely precisely why, but I think it’s some combination of: beautifully precise and expressive art, joke strips that I find gently amusing, an over-arching story arc that’s dark and mysterious (possibly a bit too mysterious to be honest, since I’m not sure anyone’s really figured out exactly what’s going on), and Karl Kerschl’s obvious affection for the characters he’s created.